Equipped with both sonic and emotional brutality, Cult Leader have never been known to pull punches. With the imminent release of their sophomore LP (A Patient Man — Deathwish Inc.) on the horizon, the Salt Lake City exports are charging out out the gate with a third and final single, titled “Isolation in the Land of Milk and Honey.” Listen to the thundrous track in full now via Consequence of Sound (or directly on YouTube).
Salt Lake City’s Cult Leader have premiered a haunting new music video for their shapeshifting standout track from their forthcoming album A Patient Man. Watch the “To: Achlys” clip today via Revolver Magazine.
Buried Language, the sophomore effort from Denver-based industrial duo Echo Beds (comprised of Keith Curts and Tom Nelsen), is an album indebted to the past. Inspired by a tumultuous end to 2016, in which the pair were locked out of their rehearsal space and their gear was held hostage by city officials, Buried Language is steeped in rage and embittered self-reliance. Listen to the album in its entirety via Brooklyn Vegan today.
Echo Beds’ inspiration for their new album stemmed from incidents in December of 2016. The band suddenly found themselves locked out of their rehearsal space, and their gear was being held hostage as city officials all over the country cracked down on unsanctioned artist collectives and the various DIY structures where many outsider creators lived and worked. This weighed heavily on them, and they spent the next 8 months experimenting and writing the material what would become Buried Language in their living rooms. Deprived of their usual tools, Echo Beds was forced to improvise using unfamiliar electronics and various cobbled together devices in order to flesh out the embryonic ideas. With the plight of their colleagues fresh in their minds, these new working conditions served to shape the industrial landscape of Buried Language.
Denver-based industrial duo Echo Beds began as a one-off live set played in a local warehouse in 2010. Sensing immediately that they’d only scratched the surface of their potential, the duo (comprised of Keith Curtis and Tom Nelsen) began experimenting with hand-built instruments and manufactured sounds—such as recordings of broken glass and a metal filing cabinet—in order to explore and interpret the sounds of industry as a sonic landscape.